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EVILTWIN: THE 13TH ZODIAC
The Swiss Church
London, 2024
‘The 13th Zodiac’, was a multimedia installation and live performance by long-time collaborators and 2024 residency recipients, John Costi and Rhett Nicholl, AKA ‘EvilTwin’. They invited the audience to explore the intersections of art, trauma and healing, rewriting narratives of complex, toxic masculinity and scrutinising wider systems of societal oppression, including class and criminal justice systems.
The title references both artists’ birthdays, which fall under Ophiuchus, the rarely acknowledged 13th sign of the Zodiac. Also known as the serpent bearer, a god of medicine and so adept in the art of healing, he could return souls from the underworld. This ability was learned from a snake on the river Styx, the main river leading to Hades.
These are fitting themes for Costi and Nicholl, whose personal journeys have involved battling addiction, navigating prison and seeking redemption through art.
The multimedia installation, including a film and accompanying performances, traces a spiritual journey of surrender and transcendence, with elements drawn from the 12-step recovery model, the Zodiac, and pantheistic traditions. The film’s protagonist, ‘E.T,’ embodies the struggles and dualities that both artists have faced.
In a quest to find himself and ‘reset the zodiac’, E.T speeds through interdimensional spaces, meeting mythical characters along the way. He confronts past trauma, including a powerful scene set in a North London council estate where Costi experienced a life-altering sexual assault.
By reclaiming the location as a “Museum of Injury”, the artists turn pain into a poignant symbol of healing.
The film and accompanying score are shown with a tunnel-like installation featuring ‘patchwork blackout blinds’, representing inherited realities and ancestral wounds.
EvilTwin have adopted London’s transport networks as tributaries of the river Styx, enlisted actors and musicians with lived experience and drawn on their professional roles in social health care for the presentation that includes printmaking, sculpture, restricted legal documents, family artefacts and archival materials, alongside the immersive installation, performance and film.
EvilTwin’s residency at the Swiss Church culminated in a 4-day showcase featuring live musical and theatrical performances that utilised the Swiss Church’s unique architecture and acoustics.





























